"I couldn't stand the way she treated you, and that was what I had to say to her," Owen returned. This made his companion thoughtful again. "Can you take such pleasure in her being 'finished'—a poor girl you've once loved?"!

"The maiden aunt's, the nicest, the dearest old woman that ever lived? I thought you had got rid of the maiden aunt." "Everything?" Fleda quavered.

Owen, as if in quest of his umbrella, looked vaguely about the hall—looked even wistfully up the staircase—while the neat young woman complied with Fleda's request. Owen's eyes then wandered out of the open door. "I think it's awfully nice here," he observed; "I assure you I could do with it myself." "He speaks to me of the only thing that concerns me. He gives me clear notice that he abates not one jot of his demand." "The deuce knows what has become of it, Miss Vetch!" Owen cried. "It seemed all to go to pot as this horrid struggle came on." He was close to her now, and, with his face lighted again by the relief of it, he looked all his helpless history into her eyes. "As I saw you and noticed you more, as I knew you better and better, I felt less and less—I couldn't help it—about anything or any one else. I wished I had known you sooner—I knew I should have liked you better than any one in the world. But it wasn't you who made the difference," he eagerly continued, "and I was awfully determined to stick to Mona to the death. It was she herself who made it, upon my soul, by the state she got into, the way she sulked, the way she took things, and the way she let me have it! She destroyed our prospects and our happiness, upon my honor. She made just the same smash of them as if she had kicked over that tea-table. She wanted to know all the while what was passing between us, between you and me; and she wouldn't take my solemn assurance that nothing was passing but what might have directly passed between me and old Mummy. She said a pretty girl like you was a nice old Mummy for me, and, if you'll believe it, she never called you anything else but that. I'll be hanged if I haven't been good, haven't I? I haven't breathed a breath of any sort to you, have I? You'd have been down on me hard if I had, wouldn't you? You're down on me pretty hard as it is, I think, aren't you? But I don't care what you say now, or what Mona says, either, or a single rap what any one says: she has given me at last, by her confounded behavior, a right to speak out, to utter the way I feel about it. The way I feel about it, don't you know, is that it had all better come to an end. You ask me if I don't love her, and I suppose it's natural enough you should. But you ask it at the very moment I'm half mad to say to you that there's only one person on the whole earth I really love, and that that person—" Here Owen pulled up short, and Fleda wondered if it was from the effect of his perceiving, through the closed door, the sound of steps and voices on the landing of the stairs. She had caught this sound herself with surprise and a vague uneasiness: it was not an hour at which her father ever came in, and there was no present reason why she should have a visitor. She had a fear, which after a few seconds deepened: a visitor was at hand; the visitor would be simply Mrs. Gereth. That lady wished for a near view of the consequence of her note to Owen. Fleda straightened herself with the instant thought that if this was what Mrs. Gereth desired Mrs. Gereth should have it in a form not to be mistaken. Owen's pause was the matter of a moment, but during that moment our young couple stood with their eyes holding each other's eyes and their ears catching the suggestion, still through the door, of a murmured conference in the hall. Fleda had begun to make the movement to cut it short when Owen stopped her with a grasp of her arm. "You're surely able to guess," he said, with his voice dropped and her arm pressed as she had never known such a drop or such a pressure—"you're surely able to guess the one person on earth I love?"